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Programme: "Communication"
Type: Core course
Curriculum: Communication
Campaigns & Public and
Audience Research
Semester: A

Description

The course examines theories, surveys, and empirical research on the public and audiences. It emphasizes those theories and surveys that take into account the unprecedented fragmentation of the audiences and analyze their preferences and the reception of cultural and other content.

Programme: "Communication"
Type: Elective course
Curriculum: Cultural 
Management & Communication
Semester: A

Description

The course focuses on the cultural industries, that is on the industries that produce and circulate cultural goods and services. It examines the ways in which shared meanings in the business of culture and in cultural organizations affect the process of production and distribution of tangible and intangible goods and finally the management of creativity, shaping the specific features of each particular creative industry.

Programme:
“Communication”
Type: Elective course
Curriculum: All
Semester: B
In collaboration with N.
Tsigilis

Description

The course provides review and analysis of some of the most common techniques for statistical analysis employed in quantitative research in communication and social sciences with the support of relevant software packages.

Interdepartmental programme:
"Arts & the Public Sphere"
Type: Core course
Curriculum: Historical,
Political & Hermeneutic
Inquiry of the Arts
Semester: B

Description

The course deals with both the theoretical and research sociological analysis of the various forms of art. It focuses especially on the developments from the second half of the twentieth century onwards when the sociology of the arts grows into an autonomous and distinctive discipline.

Programme: Postgraduate
Type: Elective course
Curriculum: Communication
& Culture
Semester: C
In collaboration with
G. Kalliris and
P. Tsarchopoulos

Description

The course examines the impact of technological developments on the creation, production, dissemination and reception of cultural goods and services. It focuses on the changes and transformations of the relations between artists, cultural organizations (profit and not-for-profit), and their public.