Programme: Undergraduate
Type: Elective course
Curriculum: Mass Media
Semester: Spring


The course presents and discusses the impact of globalization on the artistic creativity, and on the production, distribution and reception of artistic goods. Special emphasis is placed upon the emergence and the functions of the global multimedia conglomerates, as well as upon the global asymmetries in the cultural field.

The new forms of art and the new forms of the artistic communication are analyzed in the context of the convergence brought about by the Internet. The impact of globalization on the cultural policy, on the taste and artistic ideology is explored, and the possibilities for further democratization of the artistic communication are discussed in this context.

In the first part of the course, the modern system for the production of culture is outlined. In the second part, globalization is introduced as a complex phenomenon and the main approaches are presented, emphasizing on issues concerning the production and circulation of cultural goods. The emergence of the global multimedia conglomerates and the Internet are analyzed, and the impact of these developments on the artistic communication are discussed from a functional and structural point of view. The new cultural asymmetries appearing on a global level are explored as well as their significance for tastes and for the cultural policy that faces new issues. In this context, the crisis of various forms of art is discussed.

The course requires a background offered in courses already taught (history - general and of the mass media, theory of mass communication, media economics, sociology of mass communication, media and the culture). This course is offered during both the winter and spring semesters in English, under the title Globalization and the Arts (IP1100), for the purposes of the ERASMUS+ and other international programmes of the School. The content is modified, taking into account the multicultural audience of the international programmes. Several specific issues related with the interests of the students from various countries are presented and discussed. The topics covered vary depending on the origin of the audience.

Access to the materials of the course



  • To introduce and discuss the developments observed on a global level and affecting the production, distribution and reception of symbolic forms in general and the arts in particular conceived of as forms of communication and social practice.
  • To contribute for a better understanding of the political and ideological significance of these developments and of the conditions they create for the artistic communication, and for the value systems, the views, and the collective attitudes and forms of practice.
  • To contribute for a better understanding of the significance that the convergence between economy, politics and culture has, as well as of its structural consequences.


Main issues covered – indicative syllabus

A more detailed outline of the course and the PowerPoint files used in class are available through e-learning. A user name and a password are required to get access to this system. Information is available at the School library.

  1. The production of culture & the cultural markets
  2. Theories on globalization
  3. Main features of globalization & the production of culture
  4. Institutional and organizational dimensions of globalization – production and circulation of cultural goods
  5. The global multimedia conglomerates & the flows of cultural goods and services
  6. Cultural asymmetries & contradictions on a global level



The textbook provided (in Greek) covers only part of the course.

  • Vassilis Avdikos (2004), The Cultural and Creative Industries in Greece. Thessaloniki: Epikentro.


Suggested literature

The additional literature is usually modified and customized through consultations, depending on the topic chosen by the students for each essay and on the current syllabus. The following literature is indicative (for the television, the radio and the music press). Some texts are accessible through the campus net, while others are available in the library:



The evaluation is based on essays of 2.000-2.500 words (without references). The topics are defined in consultation with the instructor during the weeks 9 through 11. They are based on the scope of the course, on the issues analyzed and discussed during the semester, and on the more specific topics that appear on the course pages in e-Learning, in the Course Material section. The course outline (provided each semester) can be used as a topics list, but it is not exclusive, leaving space for additional proposals. Additional literature and support is provided through consultations.

Grading criteria

The evaluation is influenced by the participation in the course during the semester and the collaboration for the assignment (10%), but it is mainly determined by the soundness of the final essay (90%): consistency and clarity of structure, academic style of discourse and relevance with the course topics, quality of the chosen sources and use of references, quality of documentation. Essays must comply with the guidelines provided in the teaching page. A useful Guide to Essay Writing is also found on the website of the School of Journalism & Mass Media Studies.

Information about the next exam session, exam dates and essay due-dates can be found in the announcements page (provided that the exam dates have been announced).